Writer’s Wednesday, Author Eleanor Tatum With Her New Novel, Swamp Run

Social media can be a fun way to meet people, and that’s exactly how I first met Eleanor, on the Written Dreams Facebook page! We’re so excited to help Eleanor promote her latest novel released in early September. Please help me welcome Eleanor to The Editing Essentials!

http://swampwriter27.files.wordpress.com/2012/05/eleanor.jpg

Never a fast runner, Eleanor Tatum discovered the joys and advantages of walking. She would listen to classical music and remember the wildlife around her swamp. She would wave at the passing drivers as if thanking them for not hitting her. While she walked, she would imagine their faces in a romantic plot and surround them with the ducks, cranes and yes, the alligators. Before giving up her day job, Eleanor would walk in the mornings and swiftly jot down her ideas. The ideas turned to research, and the research to background and plot. She found it both exciting and soothing. Publication brought the willingness to share, to entertain, to offer an escape. Eleanor lives with her handsome, brilliant husband, and the turtles, bugs, cranes, ducks, water weeds, and yes, even the alligators in the swamps of southeastern North Carolina. Visit her website and blog at: http://eleanortatum.com

Cooking Advice

     “I could write a book.”

Soon after the publication of my first novel, I heard those words spoken and the meanness in me silently screamed, “Yeah, but you didn’t.” So many people say they can write a book, but never do. The speaker went on to say a few caustic remarks about her husband. If that’s what she would write about in her book, it probably wouldn’t sell unless his hair had fifty shades of gray. My acquaintance with the marital problems should instead write her book pitting her husband’s character against an active problem in a solution-supporting setting. Then, she’d most likely be successful.

The fictional books I’ve enjoyed the most, (of course, yes, mine included), took the subjects (husbands, drugs, travel, or poisonous blooms in India) mixed with fascinating characters, sensual settings, plausible plots, and sensuous solutions.

The mixture from Swamp Run stole bits and precious pieces from my childhood, such as Bostonian attorneys. Some were taken from my travels along Interstate 95, both north and south. Real settings were mixed with fictional solutions to please my romantic heroes. A forest fire was survived by this author sans the tall oak tree. There’s really a lovely state park near my swampy home and, of course, the island and alligators are real and respected.

Swamp_Run

Mixture is the key.

If you want to have a novel readers will enjoy, use a variety of culture, characters, and storyline. Since my next novel is Swamp Secret, I have two thirds of the project completed. Now for the characters stirring the mix…how about a beautiful medical researcher solving crimes with a handsome gambling addicted lawman?

Thank you, Eleanor, for your sharing your experiences with us! Please feel free to share comments or questions with Eleanor. She’ll be with us all day. Thank you!

Building a Local Readership

E. Tip of the Day: Having a successful writing career takes many different skills. Knowing how to market your novel(s) to a broad audience is one of the most important skills you need to be educated in. Contact us if you’re struggling to market your novel. We can help!

How to build local readership:

1.      Visit all book stores, libraries, schools, universities, craft fairs, and any other large gathering places in your area. Ask if you can do book signings.

2.      Send over-sized post cards out to libraries/book stores/businesses. Cross-market  especially with those businesses that may have an interest in displaying the theme of your novel. An example would be: Dorothy St. James writes the White House Gardener series and promotes the books in flower shops/greenhouses.

3.      Take out small print ads in community magazines/newsletters/musical programs. For instance, local ads in a school sport or music program. This is a great way to build local readership, and support the fine arts in your community.

4.      Ask your favorite local radio and TV stations to do an interview with you. Send them a short summary of your novel and an author bio. Tell them you are a fan of their show.

5.      Arrange to read a selection of your story or chapter 1 to high school students in English class, or in the library, with a Q & A session afterwards. Leave a signed copy of your novel with the person who helped you set up the event.

6.      Give out a free copy of your book for the holidays to three winners for gifts on your website, blog, Twitter, or Facebook page. Send the winners an autographed copy and a nice letter thanking them for entering the contest.

Good luck! If you’d like more tips on marketing, contact us at brittiany@writtendreams.com. Thanks!

Nose in a Book Photo Challenge

My kids are all avid readers, and all year long can be caught with their nose in a book. Post your photos of someone reading your novel on our Written Dreams Facebook page to win an exclusive blog review about your book. Keep it clean, folks. Photos should be a PG rating. We’ll notify the winner in December. Here’s a sample photo:

Sami reading a Sookie Stackhouse novel

Just Write…Anything

E.Tip of the Day: Lately, I’ve been hearing a lot of concerns from writers about how hard it is for them to stay motivated to write. Having that urge to put forth great stories and strong characters continuously can be daunting at times. Asking for help can be even tougher. Writing is a lonely occupation after all. Or is it?

Yes, writing can be lonely but it doesn’t have to be. If you’re struggling with getting words on the page for a week or two, or more, let us know. We’ll help motivate you to getting the right words on the page again. That’s what we’re here for. That’s part of the reason Written Dreams was formed. 🙂

Motivation to some people can be a no-brainer. If you want to do something, than do it. Clear. Concise. And to the point. No complaining. No wondering. Task complete. Simple, right?

No, not quite. Writing is a craft, and with every craft comes the need for creativity. Without that creativity you end up having a flat, life-less story. But, what most writers don’t realize is it’s okay to have a little flatness. It’s okay to write something horrible. It’s okay to stay on the page typing random letters and numbers once in a while. And it’s okay to write something that you will toss out later. Because the important thing here really, is that you’re writing–whether it makes sense or not every day is not important. If you have to get through a few hours of writing a story of silly, random made-up words, you might look at the screen and think you’re nuts. You’re not nuts. Really, you’re not. And just the act of writing something unconventional will motivate you. Try it, and see. 🙂

If you’d like more info on our Coaching services, please see the Coaching Tab on our website under Services. We’re happy to help in any way we can with furthering your writing career! 🙂

 

Writer’s Wednesday, Author Peg Herring Shares Tips On Writing A Series

Today we welcome author, Peg Herring, to The Editing Essentials! The first book of Peg’s I read was MacBeth’s Niece, a very enjoyable story. Thank you, Peg, for joining us today!

Peg Herring is the award-winning writer of three series and several standalones. A former educator, she lives in Michigan with her long-time husband. They often go traveling, much to the disgust of their cats, Trouble and Alice, who are left at home to guard the place. Visit Peg’s website at http://pegherring.com or her Amazon page, Amazon.com: Peg Herring

As a writer of three series, with nine published books and two more on the way, I’d like to address five writing questions people ask at my workshop, “Write, Edit, Publish!”

1. “I have a great story idea, but I can’t get started.” (or “I can’t get past the first three chapters.”)

It’s hard to write a book. Really hard. On the other hand, it’s easy to let storylines float through your head, where every idea seems interesting, workable, and compelling. It’s only when you try to write them down that you realize it won’t work.

So lots of people have great story ideas, but only a few write those stories down. It might be that you really don’t want to write a book; you just want to say you’re a writer.

If you are willing to do the work, great–now apply the BITCH principle: Butt In The Chair, Honey! Thinking about your book, talking about your book, even outlining your book isn’t the same as WRITING your book. Set a time each day to work. Any active writing is better than that filmy wisp in your mind.

If (when) your progress stalls, do something else for a while, but then make yourself go back to work. It might not go well. You might even have to toss a day’s work (or two or three), but you must actively write rather than letting yourself imagine that point in the future when it will all flow seamlessly from your fingertips. Ain’t gonna happen.

2. “I’m three-quarters done, but I don’t know how to end the book.”

We sometimes call that the Muddle in the Middle. You’ve got so many strands going that you don’t know how to weave them into a whole. Again, the only thing to do is finish it. For me, writing the ending clarifies what has to happen in the middle. “Oh!” I say to myself. “A paragraph on page 92 will clear that little knot up nicely.” And it does, but only when I’ve seen how the whole thing resolves.

3. “I finished my book, and my mom likes it. How do I know if it’s really good?”

Don’t trust Mom; she loves you too much. In fact, don’t trust the opinion of anyone you know. (You might ask, “Will you give me ten bucks to read my manuscript?” That separates the wheat from the chaff!) It’s easy for friends and family to gush, “Gee, that’s great! You should publish.” When there’s no investment required, almost everyone will say nice things. It makes you happy.

My first advice for judging the quality of your own work is wait time. Let a manuscript rest for a few weeks and then go back to it. Often your reaction will be, “What was I thinking?”

I always read the manuscript aloud or have my computer read it to me. My ears find lots of things needing attention that my eyes didn’t see.

I read each of my manuscripts many times. One reading assures that I’ve included at least one non-visual description on each page. It’s easy to tell what things look like, but what do they sound, taste, feel, and smell like? That adds depth to your description and interest to your writing.

4. “What’s different about writing mystery?”

Mystery requires everything other types of writing require AND a puzzle for the reader to figure out. Mystery authors walk a fine line, tossing in clues to the solution while trying not to give away too much. A reader’s reaction upon finishing a mystery should be, “I didn’t guess the killer, but I should have.”

The modern mystery has lots of elements: suspense, romance, history, paranormal, occupational info, police procedures, and even crafting trivia. The writer needs to enlighten her readers without obscuring the mystery with facts, anecdotes, and quilting details.

5. “How do you keep yourself interested when writing a series?”

Aha! This is where I get to tell you about my work! I have a historical series with Five Star Publishing set in Tudor England (next book, THE LADY FLIRTS WITH DEATH, May of 2013).

My Dead Detective Mysteries (LL-Publications) are mildly paranormal, meaning some characters are dead (no drooling zombies). THE DEAD DETECTIVE AGENCY won EPIC‘s best mystery of 2012.

The new series, The Loser Mysteries (also LL), begins in November with KILLING SILENCE. Loser, a homeless woman, is haunted by her past and endangered by her present as she tries to help a young father accused of murder.

How do I keep three series from driving me crazy?( I often don’t!) Some things I’ve learned to do help: first, I work on one book at a time, whether writing or editing. I attack whatever’s most pressing and put other projects aside until I’ve finished it.

Second, I keep notes on what the characters look like, drive, eat for breakfast, etc. It doesn’t do to say Loser hates oatmeal in one book and then have her order it in a restaurant in the next.

Finally, I have in mind the general arc of the series before I begin, with an idea of how many books it will entail. The Dead Detective Mysteries is a five-book series, following the adventures of Seamus, who resolves problems he faces while helping others solve theirs. Seamus’ story weaves through the series, so the solution to the mystery in each book is only part of the reader’s enjoyment of the larger story.

That’s a little of the advice I give writers. If you have a specific question or a comment on something that works for you, I’m ready to listen.

Thanks, Peg, for the great tips! If you have a question or comment for Peg, she’ll be with us all day. Thank you!

Thunderstorm Challenge

Inspirational Photo of the Week: Put your character on a back porch watching the thunderstorm from the safety of their home, or in a vehicle trying to get somewhere. What is their reaction? Are they afraid? Do they enjoy the sweet smell of rain? Do they have something outside that will be drenched and ruined?  Show the emotion of what they’re feeling as they feel the storm around them. Writing from inspiration can sometimes be an easier way to get into the mood of writing. Good luck!

Thunderstorm Tease

Writer’s Wednesday: Award-winning Author C.C. Harrison Shares Secrets On Researching

Today we welcome mystery author, C.C. Harrison. I first met C.C. a few years ago when we worked together on her novel, Running From Strangers, a 2009 National Reader’s Choice finalist. She is a kind woman and a wonderful friend. Please help me in welcoming her to The Editing Essentials as our guestblogger today!

C. C. Harrison lives in Anthem, Arizona.  When she’s not reading, writing, or working out at the gym, she can be found in the mountains of Colorado or in some far-flung corner of the Southwest.

All authors are advised to write what they know.  But how many of us know very much about anything outside of our ordinary lives?   How many of us know anything interesting enough to carry a book through 90-100,000 words?  Well, I’ve discovered the novelist’s secret—RESEARCH!  So I say change that advice to write what you can research.

The benefits of research are many.

–   Lends authenticity, realism and flavor to your story

–   Adds little known details that can enhance your story

–   May discover entirely new plot elements that deepen and solidify your story, or important details and facts that affect the trajectory of your entire book

How much you research depends on how much you already know about your topic, and how complex your plot is.  In most cases, your research will happen in stages during the development of your story.

Begin when your story idea hits.  Build your foundation with general information.  Gather contacts, professionals who can help you later with details.  At this stage, information will come to you in surprising ways.  Once you have the idea for your book, information and research sources will fall into your lap.  Your mind will automatically pick up information, you’ll notice newspaper and magazine articles, TV news items will jump out at you, you’ll meet just the person who has the information you need.

During the outline stage, you’ll have a good idea what you will need to research in more detail later on.  Make a list.  During the actual writing, you’ll want to seek answers to questions and fill in details as your scenes unfold.

IMPORTANT SOURCES OF INFORMATION

Internet – For a writer, this is the most valuable tool next to the computer itself.

Libraries – Local, big city, university.  Many are online and available at no charge.  Small town and regional libraries are excellent places to find locally written books, and newspaper clippings with information of local interest.

Used Book Stores – Out of print or small press books, and other treasures can be found here.

Museum Book Stores –  Also full of treasures.

Historical Societies – Especially in small towns.  Great source for books, photos, diaries, journals, logs, and valuable first person historical accounts.  Visit, call, or email through their website.

Footnotes and bibliographies – Check the list of sources at the back of the book you are using for research.

Network With Clubs and Professional Organizations –Join or attend conferences, seminars, meetings.  Excellent opportunities to gather information and meet experts in a particular field. Get on their email list.  I belong to several email groups – private investigators, law enforcement, self-defense, hand to hand combat and survival instructors to name just a few.

Telephone – Call professionals/experts and ask questions.  Most law enforcement departments and big companies have media relations or public affairs departments.  Just ask when you call, and have your questions ready.  Most will be flattered to be used as a source.  Always ask for an email address for follow up questions.  That way you will have your answer in writing and not make a mistake or misuse the information.

Law Enforcement – Check Amazon.com for law enforcement books.  Also, Paladin Press website.  You’ll find books on military and police science, i.e., firearms and weapons, self-defense, SEAL sniper training, KGB Training Manual, and so on.

Also, go on a Ride Along with local law enforcement; take a Citizen’s Police Academy course (I learned that one million dollars of used bills will fit into a pillowcase.) Develop law enforcement contacts such as sheriff’s deputies, detectives, etc.  They are usually quite happy to speak with novelists.

Time Line Books and Websites – Outlines sequence of historical events, often with photos.

Children’s Books – Check the children’s section in bookstores and libraries.  Some very good basic information on all kinds of topics.

Government Websites – FBI, CIA, Secret Service, Marshal Services, Witness Protection Program, National Security, Homeland Security website, and Department of Defense, etc.

Idiot’s Guides and For Dummies books – On just about every topic imaginable.

Honor the privacy of your sources.  If someone gives you his or her private email address or home phone, do not give it out to anyone else without their permission.  Give them credit.  Ask if you can thank and acknowledge them by name in your article or in the front matter of your book.  Above all, show gratitude.  Send a thank you note (email is okay), and if their contribution was major, send them a copy of the published piece.

IMPORTANT TOPICS TO RESEARCH

Geographic/Regional – Visitor and Convention Bureaus, travel sites, travel books (Fodor’s, for example) tourist guides and brochures, etc.

Occupations – Vocational Biographies, and other career reference books carried by most libraries and high school/college placement offices.  Mostly online now.

Clothing – Period fashions, uniforms (military, medical, job specific.)  Find in books and museums.

Food – Regional, traditional, Victorian, Medieval, etc.

Language/slang/occupational or scientific terminology – Make sure your character speaks using appropriate language.  Your cop should speak like a cop, your lawyer like a lawyer, your quilter should know specific language of people who make quilts.

Guns/Weapons/Explosives – Gun manufacturer websites, NRA, police and law enforcement blogs, police equipment websites, etc.  (I once had to know how much a police officer’s duty belt weighed.) Attend gun shows and ask questions.

Geology – Describe landforms, seascapes for sense of place.  Use the right words.  I have geology reference books.

Weather – Storms, describe skies, sunsets, sunrises.  I have weather and sky books.

Don’t get too attached to your research, or go off on tangents. It’s easy to do if you are a history or research fanatic.  And don’t get distracted.  Stay focused on information that pertains specifically to your novel.

You might be tempted to put all your research into your story, but don’t.  Only use the information for flavor unless you are writing a “historical” novel which will require you to be totally accurate.  Unless you are writing for historical correctness, don’t sacrifice your story for the research.  For most writers, story wins out over research every time.  Keep your research records especially if you are going to write other novels set in the same period or location.

Readers like books with a realistic sense of place, but how do you realistically set a book in a place, especially a well-known location, without actually going there?  Here are some tips:

Have Your Story Character Be New to the Area – Set it up so that your main character has recently moved to the city/town, so he or she won’t know much about it.

Read Books Set in the City – You can Google search for lists of books set in a certain locale.

Watch Movies Set in the City – Use Google/Bing searches for this, too.  Internet Movie Data Base (IMBD) is a good search site.

Contact Tourist and Convention Bureaus – Call or email with questions, ask them to send you brochures, pamphlets, travel kits, whatever they have.

Local Police and Fire Departments – Call or email the Public Affairs Officer or Department with specific questions.

Get Maps – MapQuest, AAA, or buy from a retail map store.

Look at the City’s Internet Site – This will give you information on places of interest, restaurants, theaters, schools and universities, and give you some idea what it’s like to live there.  Also, search for blogs about living in that city or locale.

Ask Friends or Family Members – Call anyone you know who lives there.

Online Webcams – Cities often have live webcams active on intersections, or other places of note in the city.

GOOGLE EARTH – You will be amazed how down to earth you can get in a city using Google Earth.

Good luck, and have fun!

 

Thank you, C.C., for joining us today. If you have questions or comments for her, she’ll be with us all day. We hope you enjoyed this post and will share it with other writer friends who will find it helpful. Thank you!🙂

Building Strong Characters

E. Tip of the Day: Why do readers enjoy learning about the characters we write about? Simple Answer: because they can relate to them. Each of us has our own individual battles we face every day, and escaping into a different world is far easier than facing our own battles some days.

What type of character do readers want to read about? A strong character. A believable character. A character they’ll want to trust and love. Someone who will inspire them, fight for what they believe in, and make them smile. Readers want a character they can cheer for. Someone they could enjoy a cup of coffee with at their kitchen table if that character was standing right in front of them.

So, what are you waiting for? Go write about a strong character that will sweep your readers off their feet!