Category: Authors

Writer’s Wednesday: Award-winning Writer Laura Resnick on Obstacles

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Today, we’re excited to have Laura Resnick as our guest! Please welcome her as she shares with us about her writing experiences.

Laura Resnick is the author of the popular Esther Diamond urban fantasy series, whose releases include Disappearing Nightly, Doppelgangster, Unsympathetic Magic, Vamparazzi, Polterheist, and the upcoming The Misfortune Cookie. She has also written traditional fantasy novels such as In Legend Born, The Destroyer Goddess, and The White Dragon, which made multiple “Year’s Best” lists. She began her career as the award-winning author of fourteen romance novels, written under the pseudonym Laura Leone. An opinion columnist, frequent public speaker, and the Campbell Award-winning author of many short stories, she is on the Web at LauraResnick.com.

 “Crap”

by Laura Resnick

Like many writers, there are days when I have trouble concentrating on my work because of crap. And overcoming this problem is crucial for maintaining a writing career—which is about writing story after story after story, after all.

“Crap” is the word I use for an obstacle placed in your creative path by outside forces. And it’s a bitch.

Crap is when water starts pouring through the electrical fixtures on your bathroom ceiling from the apartment overhead, for example, and you can’t get a maintenance guy on the phone for two hours. Crap is when most of your time and energy are consumed by trying to straighten out the chaos caused by identity theft. When the 2-week renovation job on your kitchen turns into a 6-month long nightmare followed by a lawsuit, that’s crap.

Which is not to say that crap is always petty, bureaucratic, or even deliberate. It can be a very serious, painful matter. It’s not uncommon for people to have trouble writing when they’re getting divorced, when caring for a sick or injured loved one, or after a bereavement. I think most editors respond with human decency when a writer is struggling to deliver a book or short story in such circumstances; but if an editor or agent responds like an insensitive jerk to such news, that would be an example of more crap.

A friend of mine who’s a writer and a psychologist says that sometimes you just need to give yourself permission not to write for a while. That doesn’t always go well with our release schedules, our financial needs, and our work ethic; but there’s no productive point in beating yourself up if some crap is just so overwhelming that, for a while, all of your creative energy is sucked up by dealing with it.

Crap is egalitarian, of course: it screws with people in every line of work. And every line of work has its own kind of crap. As writers, we deal with our vocation’s uniquely aromatic crap.

Rejection is perhaps the single most common form of crap in this profession. It doesn’t seem to get any easier to shovel, no matter how many books we sell along the way. Additionally, getting dumped by a publisher or an agent; seeing your book eviscerated by reviewers; discovering that due to publisher screw-ups your novel was released with 10,000 words missing; going a year, two years, seven years without a publishing contract; discovering that you’ve been plagiarized…

These are all typical examples of writer crap.

Unfortunately, crap is like death and taxes; it’ll always be around, there’s no escaping it. No writing career is ever free of crap. The key for the writer is to develop habits and strategies to keep working despite crap, rather than crawling into a deep hole and staying there because of it.

One technique that I’ve practiced (with varying degrees of success) in order to protect my creativity from crap is compartmentalization. There’s book time, and there’s real time. In book time, I try to shut out the world, to leave it outside the door while I work. It’ll be there when I stop working, eager to resume its noise; but if I can define this space as a place where it’s not allowed to intrude, then I can keep writing.

My friend the psychologist says another useful strategy, particularly in the face of rejection, is to remember not to buy into someone else’s perceptions of you or your work.

A great example of this: I know a writer who once delivered a novel that an editor declared unacceptable, unpublishable, and “unsalvageable.” The author believed in the book and wanted to see it published, so she spent a year doing multiple revisions rather than give up on it, while the editor kept making emphatically negative comments about the results. After encountering a final, no-further-discussion refusal to accept or publish the novel, rather than sink into a black hole of tail-chasing despair, the author wrote a replacement novel. Thus she maintained her profitable association with that publisher. (Luckily, though, the difficult editor resigned around the time the author delivered the replacement book).

I asked this author how she had managed not only to keep steadily revising the “unsalvageable” novel (which sold the following year to another house in a very good deal), but also to face the daunting task of immediately writing a replacement novel right after this confidence-draining experience.

She admitted to the moments of doubt and anxiety that we all have, but said, “But at heart, I knew I was a competent writer no matter what a volatile editor told me.”

In other words, she didn’t let that editor’s perceptions screw with her belief in her work. Thus she maintained enough confidence to protect her creative flow and keep writing despite the demoralizing, year-long experience described above.

I learned the hard way that another key strategy for protecting creative health is to eliminate destructive influences from your professional life. I dealt for several years with an editor whose unprofessional behavior I found so stressful and damaging that, by the time I finally put my foot down and flatly refused to keep working with that individual, I was suffering, for the first time in my life, from multiple stress illnesses: insomnia, indigestion, heartburn, intestinal trouble, chronic migraines, facial ticks, muscle twitches, and a weird psychosomatic pain on my left side that made typing almost impossible. And within 48 hours of my getting the news that I had been reassigned to another editor…all these symptoms miraculously disappeared, as if they had never existed. And they have never returned.

In retrospect, I only wonder why I let things get that bad before drawing the line. Who needs that crap?

Thank you, Laura, for being with us today! Please feel free to post a question or comment for Laura. She’ll be with us all day. Thank you!

Writer’s Wednesday: Award-winning Author L.C. Hayden on Promotion

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I invited L.C. Hayden to be our guest today because I’ve always been fascinated by her unique way of promotion. This is just one way to think outside the box when marketing your books. Please help me in welcoming L.C. Hayden to The Editing Essentials!

L. C. Hayden is the creator of the award winning Harry Bronson Mystery Series. Critics are hailing her latest release When the Past Haunts You as the best mystery of 2012. This February, the book was nominated for the 2013 Watson Award and hit the Number 2 Kindle Police Procedural Best Seller spot.

Visit her website at www.lchayden.com and check out her books at www.tinyurl.com/LCHayden. She invites you to be her Facebook friend at Lc Hayden and Tweet her @LCHayden1.

Cruising and Promoting

I’m lucky.

I’ve done over fifteen cruises. I’ve been to the Caribbean, Mexican Riviera, Panama Canal, the Mediterranean, and others. Most, more than once.

“That means you’re rich,” you say.

“Nope. I’m just doing my job.”

“Wait! You get paid to go on these cruises?”

Yep. I’ve been contacted by Royal Caribbean, Celebrity, and Princess Cruise Lines to do writing presentations during their days at sea. They want and expect forty-five minute power point presentations that are both amusing and informative. That’s followed by a fifteen minute signing section.

That’s it. That’s my entire job. I’ve done as few as two presentations during a sixteen day cruise and as many as eight. It all depends on the number of days at sea.

There’s a set of guidelines I’m expected to follow, but they are all common sense rules. I’m not allowed to wear short-shorts. I can’t sit at the bar and drink. I can’t gamble or participate in any games where I can win, such as bingo. I’m not allowed to mention other cruise lines or seat up front at any of the cruises’ shows.

In return, I and my guest of choice receive a free cruise, discounts at the ship’s stores, photograph discounts, and more often than not, cruise excursion discounts. One of the ship’s stores carries and sells my books. At the end of each cruise, I pick up my check.

Sounds wonderful, doesn’t it?  It is. I love cruising all over the world and promoting my books at the same time. Some of my most faithful followers are those I met at one of these cruises. So how did I land such a lucrative job?

By pure luck. Someone heard me speak, and he (she?) recommended me to the person who hires for the cruise lines. They called and the interview lasted for a bit over three hours. At the end of the conversation, they said they’d send me to the Caribbean on a five day trial basis.

During those presentations, I had everyone from the captain to the cruise director to the bar attendant to the . . . well, you get the idea. Everyone was there to evaluate me. I must have passed because soon after that, I was sent on longer more exotic cruises. I average one or two cruises a year.

I’m now to the point where people are e-mailing me, asking when and where I’ll do the next cruise so that they can join me. Unfortunately, most of the time, I can’t tell them simply because I don’t know. Sometimes the company calls me one or two months ahead of time. Although it hasn’t happened to me, they might even give you a week’s notice.

I have such fond memories of these cruises. I remember one time in Tahiti I saw a gorgeous necklace made of sea shells and macramé. The natives sold it for $20. I thought that was a bit too expensive for macramé and sea shells so I passed it up.

Soon as I got back to the ship, I regretted my decision. But much to my heart’s content, the next island also sold them, and they were charging only $18. I whipped out my credit card only to be told that they didn’t accept credit cards.

I dashed to look for my husband—my walking cash machine. By the time I returned, they were sold out.

At the next island, I was prepared. The natives sold theirs for $15. I bought it and proudly wore my unique necklace for the rest of the cruise. When we got home, I went to Walmart to buy some milk. I got the milk and noticed that the store sold the same unique necklaces for $4.99.

Sigh.

While in Barcelona my husband and I walked Las Rambles, a mile long street filled with museums, eateries, parks, and stores. I wanted to take some pictures of Spain’s outstanding architecture, so we deviated one block away from the path. The visual site rewarded me with early European structures. Fascination filled me as I snapped picture after picture. I was so involved with the task at hand, I failed to notice the group of ladies who had gathered across the street.

My attention riveted toward them when one of them threw an unopened orange Fanta toward my feet. The can burst as it collided with the pavement. I distinctly heard them chanting, “No pictures. No pictures.” Then it dawned on me. We had wandered into the Red Light District.

Ooops!

Then there’s the time I decided to shoot some rapids in Huatulco. I love the feel of gently floating down a peaceful river and a size two rapid is nothing more than gentle moving water with a bump here and there. But as it turned out, the rapids were really four’s and five’s. Afterwards, I asked our guide about it, after all, we had been promised one’s and two’s.

He shrugged. “What can I say? It rained.”

Okay.

There’s so many more misadventures I could share, but space is limited. All I can say is that I’m so thankful that I’ve landed this oh, so tough job—but hey somebody’s got to do it.

Thank you, L.C., for joining us today! Feel free to post an questions or comments for her on how she promotes her books. She’ll be with us all day. Thank you!

Writer’s Wednesday: New York Times Bestselling Author Brenda Novak on Branding Yourself As a Writer

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Today I’d like to welcome New York Times bestselling author Brenda Novak to The Editing Essentials! Because marketing is one of those “Must-Do” items on every author’s list, I asked Brenda, who does marketing so well, to give some tips on it. Please welcome her!

New York Times & USA Today Bestselling Author Brenda Novak is in the middle of writing a brand new small-town contemporary series. Come meet the long-time friends who have made Whiskey Creek the “Heart of Gold Country,” with WHEN LIGHTNING STRIKES, WHEN SNOW FALLS and WHEN SUMMER COMES. Brenda also runs an annual on-line auction for diabetes research every May at www.brendanovak.com (her youngest son has this disease). To date, she’s raised over $1.6 million. 

Branding

There’s a buzzword in the industry that makes almost any author sit up and take notice: branding. Everyone’s talking about it; everyone wants to be effective at it. But…what is it, exactly? And how important is it that we learn to market in this way?

An author brand is like any other kind of brand—Coke, Pepsi, Kellogg’s, Andersen Doors. The most familiar brands evoke immediate recognition and association with particular products or even a level of quality in a certain product. Basically, branding translates into a sort of shorthand. I see a Nora book, I automatically know what kind of experience I can expect by reading it, so I pick it up without having to think twice or do any research. Having a reputation and a loyal following helps with all those impulse buys that are so critical in the book business.

Branding is also important because it enables the author’s name in and of itself to become a marketable commodity. James Patterson is now using his brand to sell stories co-authored by other people. He’s even expanding his brand to include many different types of stories. Now that he’s so strongly associated with a good story, he can do that.

How did he build such a strong brand? By writing consistently great stories. That always has to be first. But there’s more to it than that. Branding is an on-going process and doesn’t generally happen overnight. It’s most difficult in the start-up phase. As well known as they are, Coke and Pepsi are still out there, advertising and building name recognition. It’s like pushing a ball uphill. If you stop pushing, it rolls right back to the bottom—something else encroaches and takes the attention of those you’re hoping to reach.

Specifically, an author brands herself by developing something that is consistent and unique in her writing. I do that by making sure every book I create delivers a deeply emotional, evocative story. How is my brand different from other authors who write in the same genre? My books are known for their deep characterization in a genre that is often more plot-driven (as you drift toward the suspense side). Once you know what you want your brand to be, you establish it through your writing style and “voice,” as well as your promotional efforts, until it becomes recognizable to others.

Some tools an author can use to build her brand are:

 

  1. Paid Advertising
  2. An interesting and constantly updated Web site
  3. Strategic Contests
  4. Blogs and chats (See? I’m building my brand right here <G>)
  5. Newsletters
  6. Charity/Volunteer work
  7. Networking
  8. Joint-promotion with other authors and businesses
  9. Speaking
  10. Writing articles
  11. Press releases/media attention
  12. Author response to fan letters/e-mails
  13. Mailers to booksellers/fans
  14. Samplers

Your brand is your promise to your readers. When my readers buy my books they want to be able to count on a certain type of read. Therefore, I make sure I deliver that kind of read. Everything I do professionally is geared around building my brand and my career, so my website reflects that brand, my promotional materials reflect it, my charity auction reflects it, and my workshops/blogs reflect it.

Think about how solicitors make you feel. Because we are approached by so many who are trying to sell us something, the melee is deafening. We learn to filter and filter quickly, which means, in order to be effective in today’s marketplace, we have to be creative marketers. So my question to you is: How can you reach people who are already tired of the signals that are constantly bombarding them via the telephone, TV, computer, etc? How can you set yourself apart?

Throw out some ideas, and I’ll be happy to contribute. 🙂

Thank you so much for being here today, Brenda! Feel free to post questions or comments for Brenda, she’ll be with us all day. Thank you!

Writer’s Wednesday: Award-winning Romance Author Kristine Cayne

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Today we’re excited to have Kristine Cayne as our guest on The Editing Essentials. Please join us in welcoming her!

Kristine Cayne

 Award-winning author Kristine Cayne is fascinated by the mysteries of human psychology—twisted secrets, deep-seated beliefs, out-of-control desires. Add in high-stakes scenarios and real-world villains, and you have a story worth writing, and reading. Kristine’s heroes and heroines are pitted against each other by their radically opposing life experiences. By overcoming their differences and finding common ground, they triumph over their enemies and find true happiness in each other’s arms.Today she lives in the Pacific Northwest, thriving on the mix of cultures, languages, religions and ideologies. When she’s not writing, she’s people-watching, imagining entire life stories, and inventing all sorts of danger for the unsuspecting heroes and heroines who cross her path. To learn more about Kristine and her stories, visit her website: www.kristinecayne.com or her blog, http://kristinecayne.blogspot.com/ or on Facebook. http://www.facebook.com/KristineCayneAuthor

WD: What is your favorite book of all time you can read again and again?

KC: My favorite book of all time, and one of the rare books that I’ve read several times is Outlander by Diana Gabaldon. Jamie Fraser will forever be the standard to which I compare all heroes. Likewise, Clare is the perfect example of the strong capable heroine who is nonetheless at ease with her femininity.

WD: What is your favorite part about creating a new story? Creating characters, plot, conflict, sex scenes, action scenes, etc.?

KC: There is so much that I enjoy about writing. If I have to pick, I’d say that my favorite part is romantic scenes. It can be sex, or it can be flirtatious bantering. Both are immensely fun to write.

WD: What do you like about writing your characters?

KC: One of the great joys I get from writing is seeing my characters come to life. When I first start planning a story, the characters are vague, ill-defined, and mysterious, like figures in a dream. I can see them, but I can’t quite identify them. As the story unfolds, the characters start to seem real. I find myself thinking things like: “no, he would never say that” or “of course, that’s exactly what she would do in this situation.” By the end of the book, I’m talking about them like they are my friends: “he wants to try something new tonight” or “he likes how the sunlight puts highlights in her hair.”

Recently, I’ve had the opportunity to conduct interviews with some of my characters with my critique partner acting as interviewer. It was so fun to see how they responded to questions. 🙂

WD: What are your goals for 2013?

KC: I’ve got a full load planned for this year. My goal is to publish three stories this year. One, Deadly Betrayal, from my Deadly Vices romantic suspense series. And two stories from my Six-Alarm Sexy series, Everything Bared and one that is not quite officially named yet. My stretch goal is to publish an additional book from the Deadly Vices series, Deadly Deception.

I’ve never written this much before, nor have I ever written two books concurrently, but I’m going to give it a shot. Without goals, I’d never accomplish anything!

 

WD: What do you like about doing Blog Hops?

KC: I love the chance to meet new readers. A blog hop is like a huge party where every invitee brings a couple of friends from another “circle.” It mixes things up and expands your group, hopefully resulting in lasting friendships.

WD: What is the most outrageous, fun, or interesting giveaway you’ve done, or seen as a giveaway for a Blog Hop?

KC: While participating in an erotica/erotic romance blog hop, there was a grand prize of a gift certificate to an adult store. The gift certificate in itself was not super interesting or outrageous, but imagining all the items bought by the winner in a basket, well, that made me smile.

WD: What advice would you give to new writers?

KC: LOL! I’m still learning. Each book is a new adventure, and each day is a struggle to get focused. Before you publish, all you think about is writing. But afterward, you have a slew of different hats to wear and you quickly become distracted. I have to work very hard to keep myself on schedule and to pull away from online activities. As I said, I’m still learning. 🙂

Thanks so much, Kristine, for being our guest today! If you have questions or comments for Kristine, please feel free to post them here. She’ll be checking in throughout the day. Thanks!

 

Reader Review: The 29 Most Common Writing Mistakes And How To Avoid Them by Judy Delton

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Title: The 29 Most Common Writing Mistakes And How To Avoid Them

Author: Judy Delton

Publisher: Writer’s Digest Books

Format: Hard cover

Pages: 73 Pages

Reviewer: Brittiany

This is a thin, easy reference book to help writers. Like the title stipulates, this work explains twenty-nine different mistakes writers may make with the craft or their writing career. It also explains ways to elude these mistakes. Although this book was published in 1985, most of the tips can still be applied today. Some of the tips are related to: procrastination, punctuation, generalizations, wanting everyone to read your story, research, not giving up on the craft, and so much more!

WD’s E. Tip: It’s important to stay informed of the craft/industry. When taking a break from writing or revising your work, use resource books like this one to better understand your craft, especially if a critique partner or editor isn’t readily available. 🙂

Writer’s Wednesday: An Interview with NYT Best-selling Author, Julie Hyzy

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We’re excited to have Julie Hyzy as our guest today! I’ve watched Julie grow as an author over the years, and it has been one of the neatest journeys to see. We are so happy for her success! Please help us welcome Julie to The Editing Essentials!

A relentless snoop since childhood, Julie Hyzy gets to play detective these days by writing amateur sleuth adventures. An Anthony, Barry, Lovey, and Derringer Award winning author, Julie is thrilled to be able to call herself a New York Times Bestseller as well. She writes two series for Berkley Prime Crime: the White House Chef Mysteries and the Manor House Mysteries. She also has several backlist and original titles available as e-books. http://www.juliehyzy.com/

WD: How old were you when you began writing?

JH: I wrote my first book at about age six or seven. Right about the time I realized I had the capability of recording the stories I made up in my head. Back then I even drew pictures, too.

WD: Did your family support your writing habit when you started?

JH: My parents were supportive of everything I did. They read (and gently critiqued) all my early novels (Mary King Mysteries) and when I hand printed my weekly eight page neighborhood newspaper, my dad would take it to work to make copies for me to distribute (sell) to indulgent neighbors.

WD: How many rejection letters did you receive before selling your first novel?

JH: Wow. I have no idea. A lot. I queried agents for the most part, and those rejections came in quickly and in bulk. Rejections became the norm, which in a way was good. After a while you get used to them. In fact, I trained myself to embrace rejection. Why? Because getting those “No thank you” notes in the mail (and yeah, this was via snail mail) was proof that I was following my dream. If I wasn’t submitting I couldn’t be amassing all these rejections, right? So they became a good thing.

WD: What was your reaction when you sold your first novel?

JH: Amazement. Disbelief. Joy.

WD: What person in your life–family, mentor, friend–pushed you to continue writing on days when you really didn’t want to?

JH: To be perfectly honest, I’ve never had that day. Even on my worst writing days when the words don’t come, I’ve known that this is what I’ve always wanted to do. I may slow down. I may not get any good words done for a couple of days, but I never stop wanting to do it.

WD: Your relationship with Michael A. Black has led to a collaboration of characters. Could you share how you two decided to put your characters together in Dead Ringer?

JH: Mike and I were critique partners for a very long time. We got to know one another’s styles so well that when we decided to write a short story together, it was easy. After that, just for fun, we decided to end our next respective books (my Deadly Interest, his A Final Judgment) with last chapters that dovetailed. My Alex St. James met up with his Ron Shade at a gas station. That was fun, too. Then we wondered, could we write an entire novel together? It became a challenge. And so we decided to try.

WD: Are there more collaborations planned for Ron and Alex, or for Michael Black and Julie Hyzy?

JH: At this point, Mike and I are super busy with other projects. But I’ve learned to never say never.

WD: What are your current writing habits? (How often do you write? What’s your schedule?)

JH: I try to write every day, Monday through Friday. Things don’t always work out as planned, but that’s my goal. I like to get at least 1,000 words in a day, but this year has been busy and that’s been tough. Right now I’m facing a deadline and if I don’t hit at least 2,000 words a day for the next three weeks, I’ll be sunk. I like to do my email and a little bit of promotional work in the morning and get started on whatever project I’m working on by 11:00. If I can write solidly until 3:00, that’s a fabulous day. Doesn’t always work out that way.

WD: What made you want to write the Manor House mysteries?

JH: I love mansions—the kind you tour on vacation—with rooms that number in the hundreds. Like Downton Abbey … The stories those rooms could tell! Ever since I was a little girl, I wanted to live in such a house. I used to dream up floor plans and design rooms. Now that I’m all grown up I’m doing that for real—but now I also get to invite readers to join in the fun.

WD: Now that you’re a NYT Best-selling author, something many authors can only dream of becoming, what is your next challenge?

JH: My next challenge, honestly, is to always write a better book than the one before. That’s what I always hope to do.

WD: Which of your stories was the most difficult to research?

JH: I’d have to say that the White House Chef Mysteries are pretty difficult to research. Although there’s a lot of information available on the White House, there are details that are nearly impossible to find. While there have been some wonderful White House staffers, and former staffers who have answered my questions, it would really be best if they’d just let me in for a couple of days to wander at will. I promise not to make a mess. You think I have a chance?

WD: If there was any part of your career you’d like a re-do on, which would it be?

JH: I think I should have started submitting work sooner. I didn’t submit in earnest until 1999. I’d been writing on and off for all my life but had never made writing a priority. Maybe that’s fine. Maybe I wasn’t ready. But I think I could have been. I wouldn’t change any bit of the journey I’ve been on, but it would have been nice if I’d started sooner.

WD: You edited for a while before writing full-time. What did you learn about your own writing by editing someone else’s work?

JH: Actually, I edited while writing full time. Editing another person’s work is always an eye-opening experience. As an editor, I become an objective reader. In that role I believe I’m better able to catch problems, whether they’re word choices, consistency issues, plot holes, or character considerations. When we’re too close to our own work, it’s hard to see these things, but when I stepped back and caught them in others’ works, I was able to bring fresh eyes to my stuff. What a wonderful experience. Truly valuable.

WD: What is the best thing about being a writer, in your opinion?

JH: I have the best job in the world. I spend the day making up stories and bringing characters to life. I can’t imagine anything I’d rather be doing.

WD: What does your family think of your success?

JH: So far, they seem pretty pleased. My husband and kids were even more excited than I was when Fonduing Fathers hit the New York Times Bestseller list. They are incredibly supportive and always helping me, whether it’s setting up a launch party or passing out bookmarks.

WD: What do you have lined up for 2013? Goals? Books? Vacations?

JH: I’m currently working on WHChef #7 and as soon as that’s finished, I’ll start on Grace (Manor House Mysteries) #5. Both of these manuscripts are due this year, with WHChef #7 due in just about six weeks (insert panicked shriek). I’d like to add to my Alex St. James series by releasing a new Indie title for her, and I’d like to continue Riley Drake’s adventures with a sequel to Playing With Matches.

WD: You inspire writers and readers everywhere. What was the most important lesson you’ve learned as an author? What advice would you give to struggling/beginning authors?

JH: Me? Inspire writers and readers? Not sure about that. But I do have advice. First of all, don’t give up. There is so much rejection out there, whether it be from agents, editors, reviewers on Amazon and BN.com, or even friends and family. They say that writers need a thick skin. I don’t have that, and rejection always hurts, but I know that if I wasn’t putting my work out there—exposing it, making it vulnerable to others’ opinions—then I would be writing only for myself. That’s not my dream. My dream is to reach people with my words, whether I’m simply entertaining or – even better – making them think. If to be able to do that I have to risk myself, then so be it. Rarely does success come without rejection. Part of the deal.

The other advice I’d give is to read. Read in your genre. Read outside your genre. Read fiction and non-fiction. Read books by successful writers about how they’ve done it. Read books and blogs by experts in the business. There is so much knowledge out there at our fingertips. Learn, be hungry, be thirsty. Be a sponge.

Oh, and most importantly: Write every day.

Thank you, Julie, for being our guest today! If you have questions or comments for Julie, please feel free to post a comment to the blog. Thank you!

Reader Review: Eric by Terry Pratchett

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Title: Eric

Author: Terry Pratchett

Format: Paperback

Page Count: 197 pages

Publisher: HarperCollins

Reviewer: Susan

Terry Pratchett’s Eric is part of the Discworld series, which mixes sorcerers, demons, DEATH (that’s how the character—DEATH, complete with his hood and scythe–appears in the book), magic and a whole bunch of philosophical humor into a sharp, witty storyline I can’t get enough of.

Adolescent Eric, while trying to summon a demon, instead summons not so skilled/lucky/ambitious sorcerer Rincewind.  Rincewind is no demon, but Eric is not to be easily satisfied.  Rincewind “grants” him three wishes, and Eric chooses to live forever, be master of the universe, and have one of the wild women of history as a girlfriend. Rincewind tries, but everything doesn’t go smoothly.  First worshipped as gods, Eric and Rincewind find some people think the gods have a LOT to answer for…and they will be providing the answers…or the (human) sacrifices, hence DEATH’s hanging around.  Did I mention there’s a Wizard University with a librarian who is (now) happily an orangutan and ferocious Luggage with hundreds of legs that eats whatever is inconvenient or disliked in its path?

WD’s E. Tip: Pratchett’s writing is ironic and very, very funny.  If you enjoy British humor, this book, and this series, is for you! It’s a great way to learn how to write humor.

Introducing Susan Pawlicki, Editor at Written Dreams

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As Written Dreams expands to be a great resource for authors, I look for the best people to help grow this business with me. I was so impressed with Susan’s editing skills, it seemed the perfect fit for her to be a part of our team. Introducing Susan Pawlicki, our talented non-fiction and fiction editor at Written Dreams!

WD: Tell us about your family. What do they think of your editing?

SP: I have two daughters at home, Emily, who is twenty, and Sarah, who is seventeen. Both are students at the local college; Emily is studying art education and Sarah is still in the decision making stage. (Historian? Lawyer? Psychologist? ) Both girls have become avid readers and writers, which is a true joy in my life. They are most happy about my editing for Written Dreams: I truly enjoy the process of editing and I’m a happier person when I have a project at hand.

WD: What are your hobbies? What do you like to do in your free time?

SP: I’m a voracious reader who enjoys everything from “Paradise Lost” to Calvin and Hobbes, so I always have a book or two going. My daughters are both great readers as well, so years ago we designated one table in the house to be the “Reading Table”—right now it has (let me check) twelve books on it ranging from a history of snowflakes to Robert Penn Warren’s All The King’s Men—I’m teaching it in a couple weeks—to a volume on Mary Todd Lincoln and her maid/confidante, Elizabeth Keckly.

In the summer I’m an enthusiastic bike (the pedal kind) rider and outdoor runner; at the moment, though, I’m running on a treadmill to get ready for the Illinois Half-Marathon at the end of April. I like riding the bike because you can cover a fair amount of distance in a short period of time, and out here in rural Illinois it’s just beautiful in the spring, summer and autumn—there’s always something to be discovered on a ride. Running makes me feel fit and healthy, and it challenges both my self-discipline and my will. It makes me a stronger person.

WD: What compelled you to get into editing?

SP: I’ve always loved writing and about the time I began teaching writing at the local college, a friend who was starting a business asked me to look over some writing for him. The volume of writing grew to the point he felt uncomfortable asking me to do the work as a friendly gesture, so voila—I became an editor. And the rest is history! 🙂

WD: Who are some of your favorite authors to read?

SP: My favorite author is F. Scott Fitzgerald. He’s my favorite. What a vocabulary that man has! Emerson and Thoreau. I’m a big fan of Kazuo Ishiguro, too; reading Remains of the Day was a revelation to me; the writing is beautiful without calling attention to itself and rarely has a character been created so three-dimensionally. Hemingway. C.S. Lewis—The Screwtape Letters seems mandatory reading for consideration of good and evil. Terry Pratchett—how can one man be so profound and yet so funny? Robert Penn Warren may well be joining the list; I’m reading All The King’s Men to teach it for a homeschool high school literature class, and his writing thus far is extraordinary!

WD: Who, in your life, has had a large impact on your way of thinking?

SP: Ralph Waldo Emerson and Henry David Thoreau are up there at the top of the list. Both have greatly influenced my religious and spiritual beliefs, as well as my philosophy of daily living. My daughters, who over the years have brought up or pointed out the obvious that my adult brain was overlooking, have also been a great influence.

WD: What compels you to continue reading a story?

SP: Real characters, an initial intriguing plot element. The Twelve Tribes of Hattie begins with a young girl trying to save her twin infants from dying of whooping cough—I was sucked into the story line immediately! Ishiguro’s The Unconsoled creates a dream-like atmosphere in which you’re unsure of what is real and what is not right from the first page.

WD: What advice would you share with beginning writers?

SP: Write, and then write some more. Don’t get pulled away from your writing by outside distractions, and don’t give up too soon. This business of writing takes a lot of hard word and discipline.

WD: What advice would you share with seasoned writers?

SP: See advice for beginning writers. I don’t think the process ever changes that much…Even when you’ve had a measure of success, writing is about putting part of yourself out in the world for others to see, and that in and of itself can be scary or discouraging.

WD: What is one goal you’d like to accomplish in 2013?

SP: I’m a goal-oriented person, so it’s hard to limit myself to one! I’d like to help multiple authors get published. I want to run a 2:45 half marathon. And I’m taking my own advice and writing a story a week—if you’re trying the project, too, feel free to drop me an email—we can commiserate! 🙂

Thanks, Susan, for being our guest today so others can learn more about you! If you’d like to contact Susan, you can email her at Susan@writtendreams.com. To see a list of our services go to: writtendreams.com

 

E. Tip of the Week: Take Advantage

Written Dreams

Take advantage of another writer’s experience to help you grow as the writer you want to be.

One of my favorite books to read for writers is Spider, Spin Me A Web by Lawrence Block. Books like this are great tools for writers to use when they’re looking for inspiration, or how to use a new tool from their writing toolbox.

Early in the book Block talks about reading, and how important it is to read a lot when you’re a writer. You learn by reading other writer’s works. And you learn when you sit down at your desk and write every day.

To see a full list of our suggested reading materials for writers, visit our page here: https://writtendreams.com/Coaching.html

Reader Review: The Twelve Tribes of Hattie by Ayana Mathis

Written Dreams

Title: The Twelve Tribes of Hattie

Author: Ayana Mathis

Format: Hard cover

Page Count: 243 pages

Publisher: Alfred A. Knopf

Reviewer: Susan

 

The Twelve Tribes of Hattie begins in 1925, with seventeen year old Hattie Shepherd’s struggle to save her infant twins, Philadelphia and Jubilee, who are slowly coughing themselves, Hattie fears, to death.  This dramatic opening serves as an introduction to Hattie’s ten other children, who, chapter by chapter, have their stories told, the first in 1948 and the last in 1980.  Through the children’s stories, we learn what has happened to Hattie and her husband, August.

Each chapter could serve as the springboard for another novel, but the book is not disjointed and the reader does not feel crucial information has been left unsaid.  There are no perfect people among Hattie’s Twelve Tribes, and Hattie herself certainly isn’t perfect.  Drug addiction, adultery, mental illness, poverty, economic success by legal and illegal means, religious fervor and hypocrisy—all are enjoyed or endured by the Shepherd family.

The book reads with compelling flow; it can be difficult to put down!

WD’s Editorial Tip: It’s okay to do something with a novel that’s outside the box. Using the different chapters to show what happens in the Shepherd family is a great example.